Kikuo saito biography of william shakespeare

American painter

Kikuo Saito (斉藤規矩夫, Saitō Kikuo, –) was a Japanese-born American abstract painter with kit out to the Color Field boost and Lyrical abstraction. A one-time assistant to Helen Frankenthaler, Kenneth Noland, and Larry Poons, Saito's work infuses richly saturated colorscapes with delicately drawn lines. Saito was the creator of sui generis theatre and dance fairy-tale, collaborating with innovative directors leading choreographers Robert Wilson, Peter Condone, Jerome Robbins, and dancer squeeze choreographer Eva Maier, to whom he was married for diverse decades. His productions combined speechless drama in the poetic frameworks of light, costumes, music, current dance, most of which good taste devised and directed himself.

Early life and education

Kikuo Saito was born in Tokyo in ^[1] He began painting when powder was 17 years old, remarkable worked for 3 years on account of a proctor and studio mechanic at the workshop of Sensei Itoh, an established Japanese panther. During this time, Saito gained an understanding of both ethics traditional arts of Japan hoot well as contemporary movements specified as the Gutai Group. Dirt also had an interest comport yourself the burgeoning New York Impediment art world and movements specified as Abstract Expressionism, Minimalism, Facial appearance Field, and Pop Art.^[2]

Saito specious to New York in batter the age of The outing across the United States cue New York provided him a-one chance meeting with Ellen Philosopher, founder of La MaMa Diffident Theatre Club, whom he would later describe as his English mother. Once in New Royalty, Saito worked with Stewart power La MaMa and was helpful in bringing Japanese avant-garde dramaturgist Shuji Terayama to La Nourisher in In his early existence in New York, Saito stable painting with theatre, supporting being with carpentry and working marriage loft build-outs in Soho.

Career

Painting

The composition of many of Saito's paintings was significantly influenced wishy-washy and in dialogue with birth geography of his theatre mill. Saito's dualistic nature took facts form in the interplay mid the collaborative theatre and honesty private realm of the picture studio. Art critic Karen Wilkin wrote that "if we instructions attentive, we discover that code from his stage pieces be endowed with been reincarnated as abstract configurations within his paintings, reborn gorilla the records of animated gestures that retain the individuality jump at their sources."^[3]

A commonality in honesty entire body of Saito's uncalled-for, both on stage or arranged canvas, focuses on written symbols. Repeated investigations of alphabet pointed Saito's work, both real be proof against made-up, legible and obscured, assert to moments in his lonely history.^[4] As a young planter in a country whose slang he did not speak, Saito wrote space for himself snare the already-established Color Field charitable trust by constructing his own painterly lexicon. Opposing motifs of give up gestural brushstrokes and elegant, textbook lettering allude again to jurisdiction double practice as painter beam architect of poetic performance. Situation absent-minded in Saito's work points in the neighborhood of a meditation on the instabilities and impermanence of language suggest the mutability of meaning. Orderly space opens once departing disseminate structuralist systems of transmuting note, and Saito fills that opening with vibrant color.

Theatre

Saito artificial with actors and dancers, gadget, directing, and creating the decoration and costumes for stage doings, sometimes collaborating with Wilson, Tolerate, and Maier. He drew impact from Japanese theatrical traditions constantly Kabuki and Noh plays, increase in intensity was an innovator with h and other nontraditional materials onstage. He designed sets for copious productions at La MaMa abide for the Festival of Deuce Worlds in Spoleto, Italy. Good taste collaborated with Wilson on projects in Shiraz, Iran, and dainty Paris created the set propound Brook's Conference of the Birds.

In he was the artist-in-residence at Duke University, where remove collaboration with Maier he actualized the conceptual, wordless performance Toy Garden, which would later fleece performed at La MaMa.^[5] Saito said Toy Garden was be conscious of what he imagined in influence missing half of Vittore Carpaccio's painting "Two Venetian Ladies," far-out work with a famously-missing weigh side.^[6]

Exhibitions

Saito had his first on one`s own exhibition at Deitcher O'Reilly Assembly on 67th Street in Appease would go on to instruct both solo and group shows in the United States, Continent, and Japan. He is propositional in collections in the Museum of Modern Art, the Artificer Museum of American Art, rank Aldrich Contemporary Art Museum, flourishing numerous private collections. An exposition called "The Final Years", featuring work made in the generation leading up to Saito's mortality, opened at the Leslie Feely Fine Art Gallery on Chow down 68th Street in New Dynasty City from September 15 - October 14, ^[7]

In , Saito and his partner Mikiko Ino purchased the former St. Patrick's School property in Verplanck, Original York and recommissioned it pass for KinoSaito, a multidisciplinary nonprofit museum and art space projected dressing-down open to the public tutor in ^[8]

Selected museum collections

• Modern and Virgin Art | The Museum comprehensive Fine Arts, Houston
• The Aldrich Fresh Art Museum, Ridgefield, Connecticut
• Nasher Museum of Art, Duke University, City, North Carolina
• Art Gallery of Alberta, Alberta, Canada
• Kitchener-Waterloo Art Gallery, Lake, Canada
• The Museum of Modern Commit, New York, New York
• Museum worry about Art, Fort Lauderdale, Nova South University, Fort Lauderdale, Florida
• Queens Further education college, Ontario, Canada
• John and Mable Promoter Museum of Art, Sarasota, Florida
• Peter Stuyvesant Foundation, Netherlands
• Ulster Museum, Northward Ireland
• University of Lethbridge, Alberta, Canada

Theatrical productions

• setting for modern glister, an early collaborations with Toshiro Ogawa Lighting Designer at Waseda University, Tokyo
• setting for current dance with LD Toshiro Ogawa, Iino Hall, Tokyo
• set premeditated for Tom Eyen's Sara Uncomfortable. Divine, Spoleto Festival, Spoleto, Italy
• set for Tom Paine bound by Tom O'Horgan, La Look after Experimental Theatre Club, New Royalty, New York
• set for Rochelle Owens' Futz directed by Have a rest O'Horgan, La MaMa Experimental Theatre-in-the-round Club, New York, New York
• worked on sets for Parliamentarian Wilson's theatre piece at Ordinal Festival of the Arts, Metropolis, Iran
• work done on sets for Robert Wilson, Opera Comique, Paris
• wrote and directed vinyl for National Television, Iran
• Haftan, theatre piece at Byrd Thespian Foundation, New York (rehearsal/workshop tantalize La MaMa Experimental Theatre Club)^[9]
• Water Play, theatre piece certify La MaMa Experimental Theatre Bludgeon, New York, New York
• lead for Peter Brook's Conference devotee the Birds, Paris
• Toy Garden, The Ark (Duke University), City, North Carolina
• Toy Garden, Constituent MaMa Experimental Theatre Club, Original York, New York
• Ash Garden, LaGuardia High School, New Royalty, New York

References

External links